Blancpain Lady B: A Mechanical Jewel Reimagining the Ladybird Legacy

What happens when 70 years of watchmaking history is condensed into a 19mm mechanical jewel?

Blancpain answers with the Lady B, a distinctly contemporary interpretation of the idea that gave birth to the Ladybird collection in 1956.

Created under the leadership of Betty Fiechter, the first woman to lead a Swiss watch manufacture, the original Ladybird Bullet was built around an extraordinary ambition: create a remarkably small yet robust mechanical movement. Its R52/R55 calibre measured just 11.85mm in diameter and became the world’s smallest round mechanical movement produced in series, according to Blancpain’s historical account.

Seven decades later, Blancpain isn’t simply bringing that watch back.

It is rethinking the idea behind it.

From Ladybird Bullet to Lady B

The new Blancpain Lady B is explicitly described as a contemporary reinterpretation rather than a reissue of the 1956 Ladybird Bullet. Its design takes the original watch’s philosophy of miniaturisation and translates it into an entirely new architecture.

Its most immediately striking feature is its spherical case.

Measuring only 19mm in diameter, the case has a thickness of 13.20mm and a volume of just 2.9cm³. Rather than treating the watch as a flat object defined primarily by its diameter, Blancpain conceived Lady B in three dimensions.

The result is closer to a polished mechanical pebble or jewel than a conventional round wristwatch.

And that is precisely the point.

A Mechanical Heart in a Tiny Space

Inside the spherical case is Blancpain’s Manufacture Calibre 615, an automatic movement measuring 15.70mm in diameter and 3.90mm thick.

It contains 180 components and 29 rubies, operates at 3Hz, or 21,600 vibrations per hour, and delivers a 38-hour power reserve. Its plates are finished with Côtes de Genève, while a silicon balance spring is part of its evolution.

The movement’s compact architecture wasn’t simply placed inside an existing case.

The entire watch was developed around it.

Blancpain says the spherical case, sapphire crystal, polished rehaut, integrated strap passage and water resistance were developed in parallel to accommodate Calibre 615.

That makes the Lady B’s small dimensions more than an aesthetic exercise. They are the consequence of designing the watch around its mechanical core.

No Lugs. No Conventional Case Architecture.

Perhaps the most unusual aspect of Lady B is what it leaves out.

There are no traditional lugs.

Instead, the calf leather strap passes directly through an opening machined into the case. The passage measures just 10 × 1.6mm, and Blancpain describes the interior as micro-blasted so the leather can glide through it. The edges and knurling are finished by hand.

This creates a continuous visual relationship between the spherical case and the strap.

The watch doesn’t look as though a strap has been attached to it.

The strap appears to emerge from it.

Minimalism Is Doing the Heavy Lifting

The dial takes an equally restrained approach.

The warm beige opaline dial is identical across the stainless-steel and 18K red-gold versions. There is no gem-setting, allowing the dial surface, gold indices and reflections from the polished rehaut to define the visual character.

The applied stick indices are made from gold and measure only 1.82 × 0.39mm.

The hands remain deliberately simple, displaying only the hours and minutes.

This restraint is important because the case is already doing most of the visual talking. The polished spherical architecture creates changing reflections across its surface, while the clean dial prevents the watch from becoming visually busy.

Seven Straps, One Tiny Wrist Presence

The Lady B arrives on a double-tour calf leather strap, reinforcing its jewellery-like character.

There are seven colour options:

  • White
  • Beige
  • Mocha
  • Burgundy
  • Blue
  • Coral
  • Purple

The strap fits through the rear of the watch and can be changed easily.

The double-tour construction also changes how the 19mm case sits visually on the wrist. Instead of functioning simply as a tiny watch, the strap becomes an integral part of the design language.

Betty Fiechter: The Woman Behind the Original Vision

The Lady B story becomes considerably more interesting when you look back at Betty Fiechter.

Fiechter entered Blancpain’s workshop in Villeret as a 16-year-old apprentice in 1912. By 1933, she had become co-owner of the Manufacture, and she ultimately became the first woman to own and lead a Swiss watch manufacture.

Her contribution wasn’t limited to keeping the company operating through difficult economic and historical circumstances.

She also recognised the importance of mechanical watches for women.

Blancpain’s historical account notes that Fiechter believed women’s watches deserved the same ingenuity and mechanical integrity as other timepieces, making this area one of Blancpain’s defining strengths.

In 1956, the Ladybird emerged from this philosophy.

The Lady B now connects that history to Blancpain’s contemporary approach to mechanical miniaturisation.

The 1956 Technical Miracle

The original Ladybird Bullet’s R52/R55 calibre was only 11.85mm in diameter.

Its compact architecture incorporated a fifth wheel into the gear train and shock protection for the balance, allowing Blancpain to pursue extreme miniaturisation without abandoning robustness. The movement contained 133 individually machined components and operated at 3Hz.

The movement’s influence extended beyond Blancpain, with the press release noting that houses including Omega and Longines subsequently adopted it for their own creations. Its tiny footprint also enabled a wide variety of jewellery watches, bracelets, bangles, rings and pendants.

That history explains why the Ladybird is more than simply an old model in Blancpain’s archive.

Miniaturisation became a creative platform.

Lady B continues that idea in a radically different form.

Stainless Steel or 18K Red Gold?

Blancpain offers the Lady B in two case materials:

Stainless Steel

  • 19mm diameter
  • 13.20mm thickness
  • 30m water resistance
  • CHF 9,500

18K Red Gold

  • 19mm diameter
  • 13.20mm thickness
  • 30m water resistance
  • CHF 14,500

The watch is not a limited edition and is available through Blancpain boutiques and authorised retailers from 17 September 2026.

A New Chapter, Rather Than a Reissue

The Blancpain Lady B succeeds by resisting the obvious route.

It doesn’t attempt to reproduce the Ladybird Bullet line for line. Instead, it takes the central idea behind that watch, mechanical watchmaking on an extraordinarily small scale, and pushes it into a new design language.

A spherical 19mm case.

A tiny automatic movement.

An integrated double-tour strap.

A deliberately quiet opaline dial.

And a direct connection to Betty Fiechter and the Ladybird’s history.

Seventy years after the Ladybird first appeared, Blancpain’s smallest statement may also be one of its most conceptually interesting.

The Lady B is tiny in dimensions.

Its mechanical ambition is anything but.

Jaeger-LeCoultre Introduces New Rendez-Vous Women’s Watches

Two Distinctive Expressions of Femininity

Key Facts

  • Jewellery as a timekeeping art: the Rendez-Vous Jewellery Night & Day masterfully fuses miniature hand-painting, precision gem-setting, and the poetic Night & Day complication; adorned with 48 baguette-cut diamonds, it epitomizes Jaeger-LeCoultre’s unparalleled mastery in feminine watchmaking
  • Contemporary elegance: the Rendez-Vous Hour-Minute reimagines the collection’s signature codes with a refined aesthetic tailored for modern femininity; at a mere 7.47mm, one of the slimmest timepieces in the Rendez-Vous collection
  • Exceptional craftsmanship: a showcase for Jaeger-LeCoultre’s Métiers Rares™ expertise, the collection highlights unique mastery through intricate decoration and meticulous hand-finishing

Jaeger-LeCoultre unveils two new Rendez-Vous models, highlighting the collection’s versatility and distinct expressions of feminine elegance.

The Rendez-Vous Jewellery Night & Day, in a limited edition of just 10 pieces. Its multi-layered dial, miniature-painted in lacquer, is encircled by baguette-cut diamonds, all housed within a 34mm platinum case, offering an evocative new expression of the Night & Day complication.

In contrast, the Rendez-Vous Hour-Minute presents the collection’s signature feminine elegance in a new, minimalistic style. It features a 29mm case in steel or 18K (750/1000) pink gold, a smooth polished bezel, an engraved caseback and a supple ‘second skin’ bracelet available in matching metal or polished alligator leather.

Defining Modern Feminity

When introduced in 2012, at a time when very few mechanical watches were created exclusively for feminine wrists, the first Rendez-Vous was hailed as a groundbreaking timepiece, combining elegance and beauty with technical sophistication.

This approach has defined the Maison since its earliest years, when it created watches for women as well as men. Recognising the aesthetic and technical potential of timepieces that could also be worn as jewels, Jaeger-LeCoultre has continually responded to women’s evolving desires, reflected societal shifts and anticipated new trends. A contemporary expression of this philosophy, the Rendez-Vous collection embodies a modern and confident vision of femininity. Fourteen years after its debut, two new Rendez-Vous models demonstrate the art of subtle evolution, reinterpreting the collection’s original codes while remaining true to its spirit.

Rende-vouz Jewellery Night & Day

A rendez-vous between art and eternity: introducing a 34 mm platinum 950 case to the collection, the Rendez-Vous Jewellery Night & Day unites the technical and aesthetic sophistication of fine watchmaking with the richness of gem-setting and miniature hand-painting.

In a delightful ode to nature, the dial features an image of an Asian Paradise Flycatcher perched on a branch of Korean Dogwood blossom. Hand-painted in lacquer on a transparent sapphire dial, the composition brings to life one tiny brushstroke at a time, creating lifelike detail and a remarkable sense of visual depth. On a disc, set beneath the image of the bird, an ethereal rendition of the moon and sun is also hand-painted in lacquer. A new expression of the Night & Day complication, this disc completes one rotation every 24 hours, tracing the daily transition from sunlight to moonlight. This profound immersion masterfully crafts the perception of two distinct dials – one for day, one for night – each gracefully claiming a third of the total dial’s expanse.

Defining the asymmetrical dial layout, the sinuous Floral numerals – a signature of the Rendez-Vous collection – are graduated in size to form a crescent that wraps around the upper section. Beneath the applied numerals, a fine oval-shaped ring of grain-set diamonds draws the eye to the delicately painted image and Night & Day display. The captivating tableau is enhanced by diamonds, set into the platinum case by the specialist gem-setter in the Manufacture’s in-house Métiers RaresTM atelier: the bezel lights up with a glittering circle of 48 baguette-cut diamonds; these are complemented by brilliant-cut diamonds on the case sides and lugs.

In keeping with the Rendez-Vous codes, an additional brilliant-cut diamond is reverse-set in the crown.

This poetic expression of femininity is brought to life by Jaeger-LeCoultre’s self-winding Calibre 733, whose finely decorated components are revealed through the transparent sapphire caseback. The automatic movement features a rotor, meticulously crafted from 22-carat gold (916/1000), a testament to horological excellence.

A blue alligator strap with a glowing ‘satin’ finish is matched to the blues of the dial and features Jaeger-LeCoultre’s proprietary interchangeability system, enabling the owner to change straps in an instant to create a different look if wished. The Rendez-Vous Jewellery Night & Day is unveiled as a truly exceptional offering, produced in a highly exclusive series of only 10 pieces.

Rende-vouz Hour-Minute

Daily wear, redefined: with the introduction of the Rendez-Vous Hour-Minute, Jaeger-Lecoultre pares the Rendez-Vous aesthetic back to its essence, achieving a fine balance: minimalistic in spirit yet finely detailed; decorative without being elaborate; perfect for daily wear while dressy enough for evening. The 29 mm case, offered in either steel or 18K (750/1000) pink gold, features a convex bezel – polished, rather than diamond-set. The closed metal caseback is engraved with a stylised image of the sun.

Displaying hours and minutes only, the dials are designed as a series of concentric circles and feature the Rendez-Vous signature Floral numerals and sunray guilloché texture. On the outer edge of this, diamonds have a discreet presence as the hour markers, in keeping with the collection’s codes, while the inner edge is defined by a ring of deeply textured embossing.

The precious metal case of the 18K (750/1000) pink gold model is matched by the colour of the hands and numerals, which harmonise with the warm, creamy tone of the dial. The tone-on-tone palette is enhanced by an alligator strap in a soft taupe colour with a subtly glowing ‘satin’ finish. The strap also features the signature interchangeability system. Infused with a delicate jewellery essence, this timepiece is destined for daily wear, providing a discreet yet unwavering presence through every facet of life.

Metal bracelet, with a new aesthetic: The steel model, where blue hands contrast with the snow-white dial and cool tone of the case metal, is fitted with a new style of bracelet. Introduced exclusively for the Rendez-Vous collection in 2025.

Its modern lozenge-shaped links are designed for maximum flexibility, so that it drapes around the wrist as softly as a ribbon. The links are highly polished, with discreet areas of brushing to create visual depth and the bracelet is fitted with Jaeger-LeCoultre’s proprietary interchangeability mechanism to enable quick changes with a simple hand gesture.

More than simply marking the time, the new Rendez-Vous models offer two graceful and distinctly different interpretations of timekeeping for women. From the intricate detail and precious gem-setting of the Rendez-Vous Jewellery Night & Day to the relaxed, everyday elegance of the Rendez-Vous Hour-Minute, these new expressions of femininity are crafted to capture the imagination.

Technical Characteristics

Rende-vouz Jewellery Night & Day

Case: Platinum 950

Dimensions: 34 mm diameter x 9.5 mm thick

Calibre: Automatic Jaeger-LeCoultre Calibre 733

Functions: Hours, minutes, 24h night & day display

Power Reserve: 70 hours

Dial: Miniature painting

Gemstones: Baguette and brilliant-cut diamonds (3,04 carats)

Water resistance: 3 bar

Strap: Blue alligator, interchangeable

Reference: Q36665P2

 

Rende-vouz Hour-Minute

Case: Stainless steel or 18K (750/1000) pink gold

Dimensions: 29 mm diameter x 7.47 mm thick

Calibre: Quartz Calibre 657

Functions: Hours, minutes

Dial: Textured guilloché

Gemstones: 12 diamond hour markers

Caseback: Solid metal, engraved

Water resistance: 3 bar

Strap: Steel model: stainless steel interchangeable bracelet with interchangeable double-folding clasp

Pink gold model: Taupe alligator, interchangeable, with pin buckle

Reference: Steel: Q3658110 ; Pink gold: Q3652520

Parmigiani Fleurier Carillon Tourbillon: A Four-Gong Minute Repeater Celebrating 30 Years of Independent Haute Horlogerie

Thirty years after its founding, independent Swiss watchmaker Parmigiani Fleurier has unveiled one of its most ambitious and meaningful creations to date. The new Carillon Tourbillon is far more than an anniversary watch. It is a celebration of the Maison’s philosophy of restoration, transmission, and mechanical excellence, expressed through a remarkable combination of a four-gong minute repeater and a tourbillon.

Created to mark Parmigiani Fleurier’s 30th anniversary, this exceptional haute horlogerie timepiece is limited to just five examples worldwide. Entirely conceived, developed, assembled and finished within the Manufacture, the Carillon Tourbillon stands as a testament to the independent Swiss watch brand’s dedication to preserving traditional craftsmanship while advancing contemporary watchmaking.

A Legacy Rooted in Restoration

Few modern watchmakers can claim a foundation as unique as that of Parmigiani Fleurier. Before establishing the Maison in 1996, Michel Parmigiani built his reputation as one of Switzerland’s foremost restorers of historic timepieces, automata, clocks and mechanical masterpieces.

His approach to restoration was never driven by nostalgia. Instead, it was a process of understanding. Through decades of studying historical mechanisms, Michel Parmigiani developed a profound appreciation for the intelligence, architecture and artistry hidden within traditional watchmaking.

The Carillon Tourbillon is a direct reflection of this philosophy.

Its origins can be traced to an early nineteenth-century pocket watch created by Perrin Frères and preserved within the renowned Sandoz Collection. Restored by Parmigiani Fleurier in 2000, the historic timepiece became a source of inspiration for the Maison’s latest creation. Rather than replicating its design, Parmigiani Fleurier sought to reinterpret its acoustic architecture, mechanical ingenuity and distinctive serpentine gongs within a contemporary luxury watch.

The Art of Sounding Time

At the heart of the Parmigiani Fleurier Carillon Tourbillon lies one of watchmaking’s most revered complications: the minute repeater.

Historically, the carillon tradition originated in bell towers, where the sound of bells marked the passage of time for entire communities. The Carillon Tourbillon transforms that public experience into something deeply personal, allowing time to be heard on demand through an intricate mechanical symphony worn on the wrist.

Unlike conventional minute repeater watches that utilise two gongs, the Carillon Tourbillon employs an advanced four-gong system.

The chiming sequence consists of:

  • One low-pitched gong for the hours
  • One high-pitched gong for the minutes
  • Two additional gongs dedicated to the quarter hours

Together, these four gongs create a rich and distinctive four-note melody that gives the watch its unique acoustic signature.

The striking mechanism is regulated by an integrated flywheel governor that ensures a smooth and perfectly controlled cadence throughout the chiming sequence. This guarantees a fluid acoustic performance free from acceleration or slowing, preserving the purity of every note.

A Contemporary Haute Horlogerie Statement

While inspired by historical horology, the Carillon Tourbillon is unmistakably modern in its execution.

The 41.6mm case is crafted from 18-carat white gold and features vertical gadroons inspired by classical architecture, a recurring design element deeply associated with Michel Parmigiani’s aesthetic vision.

A sapphire crystal box construction allows an unobstructed view of the dial-side mechanics, including the visible hammers responsible for striking the gongs. Their presence transforms the watch into a dynamic performance, revealing the exact moment when mechanical energy is converted into sound.

One of the watch’s most distinctive visual features is its four serpentine gongs, which elegantly wrap around the dial. Inspired directly by the Perrin Frères pocket watch, these flowing curves create a powerful visual identity while simultaneously serving an essential acoustic function.

In the Carillon Tourbillon, acoustics become design.

The Beauty of Morning Blue

The dial itself represents another showcase of Parmigiani Fleurier’s artisanal expertise.

Crafted from 18-carat white gold, the dial features a hand-hammered finish and is presented in a subtle Morning Blue hue that shifts between silver and azure depending on the light.

The textured surface reflects the Maison’s belief in the value of the human hand. No two surfaces are exactly alike, ensuring each watch possesses its own individual character.

This hand-hammered finish continues the design language introduced through Parmigiani Fleurier’s recent anniversary creations and reinforces the Maison’s commitment to traditional craftsmanship.

Calibre PF950: A High-Complication Masterpiece

Powering the watch is the manually wound Calibre PF950, an extraordinary manufacture movement designed specifically for the Carillon Tourbillon.

Comprising 456 components and 42 jewels, the movement integrates a minute repeater, a four-gong carillon striking mechanism and a 60-second tourbillon within a remarkably refined architecture.

The calibre operates at 21,600 vibrations per hour (3Hz) and delivers a power reserve of at least ten days, an impressive achievement for a high-complication watch featuring a chiming mechanism.

To achieve this performance, Parmigiani Fleurier developed a sophisticated three-barrel system.

Two superimposed barrels provide power to the movement, while a dedicated third barrel is reserved exclusively for the striking mechanism. This third barrel is automatically rewound each time the repeater slide is activated, ensuring optimal energy delivery whenever the chiming function is engaged.

Among modern haute horlogerie creations, combining a tourbillon and a minute repeater within a movement offering such extended autonomy remains a significant technical achievement.

Hidden Complexity and Refined Finishing

In keeping with Parmigiani Fleurier’s philosophy of restrained elegance, much of the watch’s complexity remains discreetly hidden from immediate view.

The tourbillon and power reserve indicator are positioned on the reverse side of the watch, preserving the balance and clarity of the dial while rewarding closer inspection.

The movement itself serves as a canvas for exceptional hand-finishing. Its components are decorated with the Maison’s distinctive mezzo vibrato engraving, a technique previously explored on the Armoriale Objet d’Art collection.

Executed entirely by hand, the decoration creates a visual rhythm across the movement’s surfaces, echoing the acoustic resonance generated by the chiming mechanism.

The calibre’s bridges and components are further enhanced through hand-bevelling and hand-graining, underscoring the artisanal nature of the piece.

A Case Designed for Resonance

In a minute repeater watch, the case plays a crucial role in shaping the quality of sound.

Parmigiani Fleurier selected white gold not only for its luxurious appearance but also for its controlled acoustic properties. The material contributes to the transmission, clarity and resonance of the chiming sequence, ensuring harmony between the movement and its surrounding architecture.

Integrated into the case band is the repeater slide, which activates the chiming mechanism through a deliberate and tactile gesture. The interaction creates a ceremonial connection between wearer and watch, reinforcing the emotional dimension of mechanical horology.

Why the Parmigiani Fleurier Carillon Tourbillon Matters to Collectors

For collectors of independent haute horlogerie, the Carillon Tourbillon represents far more than a limited-edition luxury watch.

It embodies everything that has defined Parmigiani Fleurier over the past three decades: restoration as a source of innovation, craftsmanship as a form of cultural transmission, and mechanical complexity pursued in the service of beauty rather than spectacle.

With only five examples produced, the Carillon Tourbillon is among the rarest watches ever created by the Manufacture. Its exclusivity is not driven by marketing, but by the extraordinary level of expertise, hand-finishing and acoustic tuning required to bring each piece to life.

Thirty Years of Independent Watchmaking Excellence

The Carillon Tourbillon serves as a fitting tribute to Parmigiani Fleurier’s first thirty years.

Combining a four-gong minute repeater, a tourbillon, a hand-hammered Morning Blue dial and a movement engineered for exceptional acoustic performance, it captures the essence of the Maison’s identity.

More importantly, it demonstrates that true innovation in Swiss watchmaking does not require abandoning tradition. Instead, the Carillon Tourbillon proves that the most compelling creations emerge when history, craftsmanship and contemporary engineering work in harmony.

For Parmigiani Fleurier, the sound of thirty years is not merely heard. It resonates.

Technical Specifications

Parmigiani Fleurier Carillon Tourbillon White Gold Anniversaire

Reference: PFH996-2010001-300181

Functions

  • Hours
  • Minutes
  • Minute Repeater
  • Tourbillon

Movement

Calibre PF950

  • Manual-winding manufacture movement
  • Four-gong carillon minute repeater
  • Flywheel governor
  • 60-second tourbillon
  • 456 components
  • 42 jewels
  • Frequency: 21,600 vph (3Hz)
  • Power reserve: At least 10 days

Case

  • 18ct white gold
  • Diameter: 41.6mm
  • Thickness: 12.6mm
  • Anti-reflective sapphire crystal front and back
  • Water resistance: 10 metres

Dial

  • Morning Blue
  • 18ct white gold
  • Hand-hammered finish
  • Rhodium-plated gold appliqué indices

Strap

  • Akoya Grey hand-stitched alligator leather strap
  • 18ct white gold pin buckle

Availability

Limited to five pieces worldwide

Franck Muller Curvex CX Grand Central Tourbillon Baguette

The Curvex CX Grand Central Tourbillon is a spectacular collection, where the Tourbillon is in the spotlight, placed at the center of the timepiece. A marvel of modern horology, it reflects Franck Muller’s dedication to reimagining tradition through quiet innovation and refined design.

At its core lies a vision to bring the tourbillon out of the background and into the spotlight. Traditionally placed at six o’clock, it now commands the center of the dial with a striking presence. To achieve this transformation, Franck Muller’s engineers restructured the entire movement, developing a mechanism where the hour and minute hands orbit the tourbillon cage in a mesmerizing display of motion and symmetry.

This exceptional timepiece is enclosed in a Rose Gold case, measuring 36 mm in width and 58.1 mm in length, and adorned with hand-selected diamonds that flow effortlessly across its surface. The invisible setting across the dial and case enhances the sense of purity and refinement, revealing subtle brilliance only as light moves across it.

Inside beats the in-house MVT FM CX 36T-CTR movement, a self-winding mechanical caliber powered by an eccentric micro rotor. Rarely used in Franck Muller tourbillons, this refined engine offers a four-day power reserve and embodies the brand’s relentless pursuit of technical excellence.

The Curvex CX Grand Central Tourbillon is more than a timekeeper. It is an exploration of form, light, and movement, crafted with precision and elevated by subtle artistry.

With every glance, it offers something new to discover. Every detail is carefully considered, quietly luxurious, and deeply expressive of a timeless sophistication.

Integrated Strap

Instead of the traditional spring-bar technique, this strap is seamlessly integrated into the case using two unseen screws, creating a smooth transition between the strap and the case. The strap is further enhanced by meticulous stitching along its edges, contributing to both its durability and refined appearance. This thoughtful combination of finishes and craftsmanship ensures it is as comfortable to wear as it is captivating to behold.

Curvex CX Case

The Curvex CX is Franck Muller’s iconic tonneau shape, known for its flowing, harmonious curves that create a bold and elegant silhouette. This distinctive design represents the brand’s identity, defined by fluid contours that deliver a seamless visual appeal. The Curvex CX also features an inner bezel and an edge-to-edge sapphire crystal, adding a unique and refined touch to its contemporary aesthetic.

Baguette Invisible Setting

This stunning timepiece is entirely set with baguette-cut diamonds on the case and dial. Each gemstone is finely hand-set with the iconic invisible setting, this meticulous technique allows the diamonds to sparkle without interruption, hiding the prongs and creating an uninterrupted surface of light. This timepiece is a masterpiece of pure elegance, every aspect of its making is a testament to meticulous hand-setting and years of dedication to exceptional artistry.

Tiffany & Co. Watches at LVMH Watch Week 2026

At LVMH Watch Week 2026, Tiffany & Co. presented a clear and confident watchmaking statement through four distinct timepieces. Rather than pursuing volume or spectacle, the Maison focused on precision, jewellery craftsmanship, and decorative horology—each watch expressing a different facet of Tiffany’s evolving identity in modern watchmaking.

Long recognised as one of the world’s most influential jewellery houses, Tiffany continues to translate its heritage into contemporary horology with increasing clarity and restraint.

Tiffany Timer: Precision and Heritage

The Tiffany Timer anchors the 2026 collection with a direct link to the brand’s earliest horological achievement. The original Tiffany Timer, created in 1866, was the earliest American-made stopwatch designed for exacting measurement and technical performance. One hundred and sixty years later, Tiffany revisits that legacy with a modern, limited-edition chronograph.

The watch is housed in a 40 mm polished platinum case and features a multi-layered Tiffany Blue lacquer dial, offering depth and luminosity. Baguette-cut diamond hour markers add refinement, while the faceted crown references Tiffany’s iconic engagement ring setting.

On the caseback, a customised Swiss chronograph movement reveals a yellow gold Bird on a Rock motif integrated into the oscillating weight. Limited to 60 pieces, the Tiffany Timer bridges historical innovation with contemporary execution.

Eternity Baguette: High Jewellery Meets Mechanics

With the Eternity Baguette, Tiffany places gem-setting at the centre of watch design. Presented in a 36 mm 18k white gold case, the watch introduces baguette-cut stones on the bezel, creating a continuous, light-catching frame.

Available in Diamond and Blue Gradient versions, the watches feature snow-set diamond cases and hour markers cut in twelve different shapes, including heart, pear, Asscher, and princess cuts. For the first time, the Eternity line is powered by self-winding Swiss movements, adding mechanical depth to its jewellery-led design language.

Sixteen Stone Mother-of-Pearl: Kinetic Design

The Sixteen Stone Mother-of-Pearl watch draws inspiration from a 1959 Jean Schlumberger design. At the centre of the dial, a mother-of-pearl disc is encircled by a rotating ring of gold “X” motifs and 24 brilliant diamonds, introducing a subtle kinetic effect as the wrist moves.

The 36 mm white gold case is snow-set with more than 400 diamonds and paired with a high-precision Swiss quartz movement. Finished with a Tiffany Blue alligator strap and diamond-set buckle, Sixteen Stone blends playful motion with refined elegance.

Jean Schlumberger by Tiffany Bird on a Flying Tourbillon

The most elaborate piece in the collection is the Jean Schlumberger by Tiffany Bird on a Flying Tourbillon, where high jewellery and high watchmaking converge. Inspired by the iconic Bird on a Rock brooch, the watch features a multi-layered champlevé enamel dial accented with appliqué lacquered flowers.

Crafted in 18k white gold, the watch is set with nearly 800 diamonds totalling over 3 carats, including a diamond-encrusted bird. At the centre, the flying tourbillon appears suspended, introducing lightness and movement while maintaining visual balance.

EyesOnTime Take

Tiffany & Co.’s 2026 watch releases demonstrate a measured and confident approach. The Tiffany Timer speaks to precision and heritage, the Eternity watches reinforce diamond authority, Sixteen Stone introduces kinetic design, and the Bird on a Flying Tourbillon showcases decorative haute horlogerie.

At LVMH Watch Week 2026, Tiffany didn’t attempt to redefine watchmaking overnight. Instead, it presented a focused collection that clearly articulates where the brand stands—and where its watchmaking is headed.

Patek Philippe Gondolo Serata “Zebra” Ref. 4962/200R-010 — Wild Elegance in Rose Gold

A new dress-watch model version set with spessartites and featuring an innovative sapphire crystal dial adorned with a zebra motif

First launched in 2006, the Gondolo Serata stands out with its soft, Art Deco-inspired curves. Its distinctive design offers a contemporary take on the evening or “dress” watch that can be worn with style during the day. It made its grand debut in diamond-set white gold versions framing guilloché mother-of-pearl dials (References 4972G-001 and 4972/1G-001), that were produced until 2021.

 

In 2023, this jewelry watch exuding unique style and timeless elegance made its return to the Patek Philippe current collection in a slightly larger rose gold version featuring a spessartite-set case and a brown lacquered dial graced with a floral motif (Reference 4962/200R-001).

Patek Philippe is reinterpreting this model with a dial bearing an original zebra motif inspired by the Reference 5738/50G-023 Golden Ellipse wristwatch in cloisonné enamel, one of the highlights of the 2022 Rare Handcrafts collection. To recreate the visual interplay of the stripes with the zebra firmly in the foreground, the Manufacture has applied an innovative and refined technique involving a sapphire crystal dial engraved and black varnished on both sides. The zebra motif is then completed with black metallization and white varnish on the underside of the sapphire crystal dial, thus creating magnificent volume and depth effects. The time is displayed by two applied Breguet numerals at 12 o’clock and 6 o’clock swept over by rose gold leaf-shaped hands.

The rose gold case (28.6 x 40.85 mm) is set with 94 brilliant-cut spessartite gemstones (2.02 ct) arranged in a double color gradient covering a spectrum from cognac shades at 12 o’clock and 6 o’clock to tangerine tones at 9 o’clock and 3 o’clock. This dark-light-dark effect and the variations in the size of the gemstones emphasize the daintily “waisted” and cambered profile of the watch, ensuring a perfectly smooth fit on the wrist. A second row of spessartite gemstones on the lower part of the case accentuates its asymmetrical curves.

The new Gondolo Serata Reference 4962/200R-010 comes with a white calfskin strap with satin finish.

The rose gold pin buckle is adorned with the Patek Philippe logo.

This timepiece houses the Patek Philippe quartz caliber E15 whose mechanical components are finished with the same attention to detail as those found in the manufacture’s all-mechanical movements.

Technical Specifications

Ref. 4962/200R-010

Movement: E15 Quartz

Dial: Metallized sapphire crystal, zebra motif, engraved and inked, white varnish, rose gold applied Breguet numerals.

Case: Rose gold. Dimensions : 28.6 x 40.85 mm. Thickness: 7.36 mm. Water-resistant to 30m. Solid case back.

Gemsetting: Case 94 spessartites, “cognac” to “mandarine” tones (2.02 cts).

Srap: Calfskin, satinated finish, brushed white. Rose gold prong buckle.

Dimensions: 15 x 13 mm. Thickness: 2.07 mm.

Number of parts: 57.

Number of jewels: 6.

Quartz frequency: 32,768 Hz.

Power source: Silver oxyde battery 1.55 V.

Battery life (new): approximately 3 years.

Jaquet Droz: Where Disruption Meets Emotion – An Exclusive Conversation with CEO Alain Delamuraz

In the world of haute horlogerie, few names carry the mystique of Jaquet Droz. Known for its automata, métiers d’art, and poetic approach to time, the brand has spent nearly three centuries challenging conventions while keeping emotion at the heart of every creation.

During his recent visit to India, Alain Delamuraz, CEO of Jaquet Droz, shared his thoughts on legacy, innovation, and the brand’s deepening connection with Indian collectors.

Art Beyond Time

When asked whether Jaquet Droz feels closer to a poem, a painting, or a piece of music, Alain Delamuraz resists a single definition: “I think that all the arts are connected. Watchmaking art, métiers d’art, paillons, enamel, engraving, micro-painting — all these things are together. If you copy an art, you die. All the arts need to be challenged every time.”

For him, watchmaking at Jaquet Droz is less about the object itself and more about the dialogue it inspires: “We do not make a piece and then try to sell it. We create it together with the people who will wear it. It’s a connection, a human connection.”

Disruptive Legacy

With centuries of history behind the brand, the temptation might be to look backward. Alain Delamuraz instead looks forward: “The question is not what did Pierre Jaquet-Droz do, the question is what he would do today if he were still alive… He was a disruptive person — inventive, creative, full of craziness. We have to keep this disruptive attitude. Disruptive is positive — it is not destroying, but it is faster and more creative than normal evolution.”
For him, disruption is not an occasional strategy but the brand’s DNA: “Innovation is our tradition. Disruption is our legacy.”

The Soul of Emotion

Precision is essential, but it is emotion that defines true luxury. As Alain Delamuraz explains: “You can have passion, authenticity, technical excellence — but without emotion, it is nothing. We are in direct connection between an artist and another artist who is the collector. If there is no emotion, people don’t buy. There is never, ever something we do without emotion.”

That emotional connection is rooted in people — the watchmakers, artisans, and collectors who bring each piece to life: “The soul is that you can see the people making your piece of art. You talk with the engraver, the painter, the enameller. You create together. That, I believe, is the soul of Jaquet Droz: putting people together, humanizing luxury, and giving emotion — not only price.”

India: A Dialogue of Cultures

India, with its rich artistic heritage, resonates naturally with Jaquet Droz’s philosophy. “We take inspiration from every culture — Japan, China, India. We also did some Indian themes. Always by hand, always unique, one-of-one. That is why I am here in India — to feel the culture, to meet people, to understand more, and to be more ready to create bespoke pieces of art in the spirit of this culture.”

Indian collectors, he observes, are especially eager to co-create: “It would begin with colors, crafts, and themes unique to India — because this is what connects naturally to our métiers d’art. We work with the client to refine it: more blue, less green, more red, different materials. The idea is always to co-create.”

What excites him most about the market is its youthful boldness: “The younger generation cannot be fooled. They want authenticity, emotion, and individuality. They are curious and bold. That’s why we create both the timeless and the unexpected.”

Collaborations & Living Art

Beyond watches, Jaquet Droz has often blurred the lines between horology and fine art. A striking example is the brand’s collaboration with John Howe, the legendary illustrator behind The Lord of the Rings: “He created a dragon for us — his signature is engraved on the back, and the automaton moves with 16 separate pieces. This is live art. With a lot of pleasure, we are always ready to collaborate with artists. Our concept is to redefine painting, engraving, or sculpture so collectors can travel with their piece of art.”

 

It’s a philosophy that aligns perfectly with India’s own artistic traditions — a fertile ground for future collaborations.

An Industry of Emotion, Not Marketing

In a world where marketing often overshadows craft, Alain Delamuraz insists on a more human-centered approach: “In our case, we don’t do advertising anymore. Our marketing concept is to know the people and to interact with them. Automata are about surprise and emotion — you don’t know what will happen, then suddenly something moves and you say ‘wow.’ That surprise is the emotion. We are not only a brand, not only a watchmaker. We are an emotion.”

Conclusion

Alain Delamuraz’s vision for Jaquet Droz is clear: a brand rooted in disruption, guided by emotion, and deeply connected to its collectors. Whether through métiers d’art, automata, or bespoke creations inspired by India, Jaquet Droz continues to prove that true luxury lies not only in what is made, but in the human connection it creates.

Hublot MP-17 Arsham Splash — The Art of Time in Motion

When art meets horology, time becomes fluid.

The Hublot MP-17 Meca-10 Arsham Splash Titanium Sapphire marks the next evolution of the brand’s creative collaboration with Daniel Arsham — American artist, sculptor, and Hublot Ambassador. Following the experimental MP-16 Arsham Droplet, this wrist-worn sculpture channels the beauty and movement of water, transforming timekeeping into an art form.

Sculpting Time Through the Art of Fusion

Hublot’s Art of Fusion has long been about blending materials, ideas, and worlds. The MP-17 takes that philosophy to a new dimension — merging Arsham’s “fictional archaeology” with Hublot’s modern mechanical mastery.

Every element — from its frosted sapphire bezel to its microblasted titanium case — celebrates transparency, structure, and motion. The splash-shaped dial opening represents a single moment of impact, forever suspended.

The Mechanics of Motion

Powered by the HUB1205 Manufacture Meca-10 movement, this hand-wound engine delivers a remarkable 10-day power reserve, visible through both the dial and caseback. Measuring 42mm across and just 15.35mm thick, it achieves sculptural balance and everyday wearability — a rare combination in Hublot’s MP series.

Green accents — Arsham’s signature tone — energize the hands, numerals, and power-reserve indicator, while the openworked dial reveals the intricate depth of the movement beneath.

The Fluidity of Time

Arsham once described his work as “collapsing time — you’re not quite sure if it’s an object from the past or the future.”

That tension defines the MP-17 Splash. The design blurs the boundaries between liquid and solid, past and present. It’s an exploration of time as a tangible medium — sculpted, contained, and in perpetual motion.

Edition of 99

Limited to just 99 pieces, the MP-17 Meca-10 Arsham Splash Titanium Sapphire stands as both collectible art and high watchmaking. It invites wearers — and viewers — to perceive time not as it passes, but as it flows.

“This collaboration explores the fluidity of time through a case inspired by the perfect geometry of a water droplet,” says Daniel Arsham. “Its transparent structure captures the clarity and motion of water — suspended, precise, and always in flux.”

Technical Specifications

Reference: 917.NJ.6909.RX

Case: Shiny Microblasted Titanium, 42mm

Bezel: Frosted Sapphire with Six H-shaped Screws

Caseback: Sapphire with Anti-reflective Treatment

Thickness: 15.35mm

Water Resistance: 50m

Dial: Rhodium-plated, Arsham Green Superluminova

Movement: HUB1205 Manufacture Manual-winding Skeleton

Power Reserve: 240 hours (10 days)

Strap: Black Rubber with Arsham Monogram

Clasp: Titanium Deployant Buckle

Limited Edition: 99 pieces